BOOKSHELF: Cave Drawings by Lex Thompson

Cave Drawings by Lex Thompson
Self-published, 2012
Edition of 100
Available for $20

BOOKSHELF: Bokeh #1 The Family Project by Matías Costa

Bokeh #1 The Family Project by Matías Costa
LENS School of Visual Arts, 2012
Edition of 500
Available for €24 ($30)

BOOKSHELF: Hesitating Beauty by Joshua Lutz

Hesitating Beauty by Joshua Lutz
Schilt Publishing, 2012
First Edition

BOOKSHELF: The Distant Sound of a Dog Barking by Carlos Lowenstein

The Distant Sound of a Dog Barking by Carlos Lowenstein
Self-published, 2012
Edition of 15
OUT OF PRINT

BOOKSHELF: Atlas by Israel Ariño

Atlas by Israel Ariño
Ediciones Anómalas, 2012
Edition of 300
Available for €38 ($50)

BOOKSHELF: Still by Patrick Hogan

Still by Patrick Hogan
Self-published, 2012
Edition of 500
Available for €30 ($40)

BOOKSHELF: Desserts by Antje Peters

Desserts by Antje Peters
Automatic Books, 2013
Edition of 200
Available for €15 ($20)

Thoughts from Agatha Christie – Real Simple, May 2013

Find a photograph of mine in the thoughts section (p. 8) of the May 2013 issue of Real Simple, paired with a quote from Agatha Christie: “I like living. I have sometimes been wildly despairing, acutely miserable, racked with sorrow, but through it all I still know quite certainly that just to be alive is a grand thing.”

Review: “Once, Still & Forever” by Jessica Backhaus

Jessica Backhaus’ latest monograph Once, Still & Forever is a painterly reflection on time, place, and emotion. Those familiar with Backhaus’ earlier titles Jesus and the Cherries, What Still Remains, One Day in November, or I Wanted to See the World know of her inquiring eye, and will be charmed by her continued exploration of the world’s most delicate fragments.

Before I even opened the book I marveled at the opalescent cloth on the cover, which shimmers purple from one direction and green from another. I may have a bit of object lust when in the proximity of deliberately designed photobooks but I found the same sort of magic and wonder present in Backhaus’ photographs as I entered the pages. Her abstractions of the everyday are imbued with meaning and emotion in a way that is often difficult to put words to, but always marvelous to view. As Backhaus herself explains it, “My photographs are like a mosaic, a puzzle that evokes the beauty of ordinary moments often ignored, as well as the residue of loves past and memories forgotten.”

A window painted with plants, a reel of weathered twine. The rain soaked rails of a train lead us further. Strange and familiar fruits. Glass bottles, vessels of the past. Refractions, reflections—spaces of silence and of sound, artifacts of darkness and golden light. What is vast becomes small, and what is small becomes vast. Backhaus paints with the layers of the world, finding strokes of beauty in the otherwise mundane. She reminds us of the power of looking and the importance of affection, present in every frame. She reminds us, ultimately, of our own existence.

Returning to her homeland of Germany after spending twenty-two years away was full of mixed emotions, anticipation and uncertainty. In Once, Still & Forever, Backhaus exposes the sorrows and joys of human experience through her own. By her side we discover that finding answers takes time, and that hardship can be one of life’s greatest gifts.

Originally published in Photo-eye Magazine, March 28, 2013.
Once, Still & Forever can be purchased here.

Storyboard P for The Wire, Issue 350, April 2013

Storyboard P for The Wire Issue 350 (April 2013) — on newsstands now!