Lo-fi: Talks by Gregory Crewdson and Philip-Lorca diCorcia

Monday, November 17, 2008

Here are two lo-fi audio recordings that I made of recent talks delivered by noted photographers Gregory Crewdson and Philip-Lorca diCorcia. These recordings are not very professional and the one of Crewdson doesn’t include the Q&A, but hopefully some of you will enjoy them nonetheless. If that’s the case, leave a comment to let me know and I’ll keep posting more as the come.


Gregory Crewdson [58:22]
October 28, 2008 at MassArt, Boston, MA


Philip-Lorca diCorcia [1:31:49]
November 17, 2008 at MassArt, Boston, MA


Philip-Lorca diCorcia Talks at MassArt
Phil Fisk and Signature Lighting
Philip-Lorca diCorcia: ICA Exhbition, New Book, Etc.
Philip-Lorca diCorcia: Heads, Hustlers, Pole Dancer, Street Work, A Storybook Life, 1976–1989, and So On
Upcoming Talks in Boston, Fall 2008

8 Responses to “Lo-fi: Talks by Gregory Crewdson and Philip-Lorca diCorcia”

  1. Pete Halupka says:

    Shane,

    post ‘em all, bud. keep ‘em coming.

  2. Chase says:

    can you post them as mp3s or a file to download

  3. Geoff says:

    Yes, awesome! Thanks so much Shane! Quality is fine…

  4. Joe Reifer » Blog Archive » Bacon Lies Down With Lamb says:

    [...] can still get some interesting listening in though: Shane Lavalette has posted recent talks by Gregory Crewdson and Philip-Lorca diCorcia on his blog. Category: Photographers, Teaching  |  Comment (RSS) [...]

  5. Chase Allgood > Blog · Philip-Lorca diCorcia and Megadeth says:

    [...] listening to these lectures recorded by Shane Lavalette, I reminded myself of how much this one of diCorcia’s [...]

  6. Kevin says:

    Thanks for the recordings Shane!

  7. maciek says:

    I have never heard PL talk before so this was a real treat. i love his comments about how others consistently ask you to ‘rip yourself off,’ to copy your own work which is the opposite of what an artist wants but that is exactly what the commercial world does—like before, but a little different. the last thing you want is risk, you want something established as art, but of course it only became that way because it broke away from what had been.

  8. Walker says:

    Great stuff… looking forward to more.

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