Archive for the 'Photo History' Category

Covering Photography: Imitation, Influence… and Coincidence

Thursday, November 27, 2008

Mike Mandel sent me an e-mail recently reminding me to see an exhibition of Boston-based photographer Karl Baden’s Covering Photography collection, now up at the Boston Public Library in their Rare Books and Manuscripts exhibition space. The show, titled “Imitation, Influence… and Coincidence,” highlights books from Karl’s collection that either appropriate or seem to be influenced by famous photographs.


“Imitation, Influence… and Coincidence” at the Boston Public Library, 2008
© Karl Baden


BOOK: The Shackle (1976) by Sidonie-Gabrielle Colette
PHOTOGRAPH: Lovers, Budapest, 1915 by André Kertész
© Karl Baden


BOOK: The Road to Wigan Pier (1956) by George Orwell
PHOTOGRAPH: Three Generations of Welsh Miners, 1950 by Eugene Smith
© Karl Baden


BOOK: La Bâtarde (1976) by Violette Leduc
PHOTOGRAPH: Lovers Quarrel, 1936 by Brassaï
© Karl Baden


BOOK: Caddie Woodlawn (1970) by Carol Ryrie Brink
PHOTOGRAPH: Lucille Burroughs, 1936 by Walker Evans
© Karl Baden

You can read more about the collection and see more sample displays from the exhibition here. But if you’re in Boston, I highly recommend seeing it person. The show will be up until December 31st.

William Eggleston: Stranded in Canton

Saturday, November 1, 2008


stills from Stranded in Canton, 1973
© William Eggleston

In 1973, William Eggleston picked up a Sony PortaPak and shot the intimate, black and white footage that would become Stranded in Canton, a 76 minute film documenting the soul of Memphis and New Orleans. The film was recently remastered in collaboration with filmmaker Robert Gordon and released by Twin Palms as a book/DVD package. For those of you who haven’t seen the film already, I highly recommend it.

While browsing the Eggleston Trust website the other day, I noticed an update to the “Films” section, which includes 14 short clips from Stranded in Canton. See those right here.

And, if you’re interested, you can backorder the book/DVD here.

Mike Mandel: How to Read Music in One Evening, A Clatworthy Catalog

Wednesday, October 22, 2008


cover of How to Read Music in One Evening, A Clatworthy Catalog, 1974
© Mike Mandel

Very few people are aware of How to Read Music in One Evening, A Clatworthy Catalog (1974), a self-published book by photographers Mike Mandel and Larry Sultan. Yet, in many ways, the book can be seen as a precursor to their seminal project, Evidence (1977).

Adapted from Sandra Phillips’ introduction to the 2004 edition of Evidence:

In 1974, Mike Mandel and Larry Sultan, produced their first collaborative book, How to Read Music in One Evening, A Clatworthy Catalog. This comprised a series of drawings and rather lowbrow photographic illustrations lifted from cheap ads or instructional manuals: the sort you would find on the back of comic books or inside matchbooks or in the pages of the (now defunct) Sunset House catalog. The advertised electric neck warmers, machines to strip corn off the cob, tape to repair the water hose for your car were arranged and cropped, and these wonderfully ordinary, naive pictures were reordered and became a mysterious and funny metaphorical book essentially about sex. Those strange gray pictures which demonstrated how a mechanical nose hair trimmer worked, or how to place potatoes on a metal spike to cook them more efficiently, resembled the collaged work of Jess, or Bruce Conner.

In How to Read Music, however, the pictures were arranged with a respect for the authority of the original image, which, while cropped (and excising the text) retains its identity while at the same time is altered by the anomalous relationship it has with the other pictures. Even though the mechanics they illustrate is decidedly low tech, mop handles, shoulder strap details, the consistent theme is of people using mechanical devices in a kind of banal but utopian association, women smiling giddily as they try on sunshades or telephone receivers. Only toward the end is there even a sense of foreboding: a closeup of a hand gun near a man’s shirtless chest, a man’s face covered with a ski mask except for the eyes and nose, a box of jewels and documents with ghostly flames licking its surface. Not surprisingly, this little book gives clues to the photographic project that immediately followed it…

The actual catalog is very hard to find. In fact, I only heard about it a few years ago because Mike filled in for a class taught by Bill Burke. Well, those of you who haven’t seen it are in for a treat. Mike recently posted some pages from the book on his Flickr page.

Here are a few of them:


page from How to Read Music in One Evening, A Clatworthy Catalog, 1974
© Mike Mandel


page from How to Read Music in One Evening, A Clatworthy Catalog, 1974
© Mike Mandel


page from How to Read Music in One Evening, A Clatworthy Catalog, 1974
© Mike Mandel


page from How to Read Music in One Evening, A Clatworthy Catalog, 1974
© Mike Mandel

See more from How to Read Music in One Evening here.

And, while you’re at it, take a look at Mike’s other projects from the ’70s and ’80s – Mrs. Kilpatric (1973), The Seven Never Before Published Portraits of Edward Weston (1974), Baseball Photographer Trading Cards (1975), Newsroom (1983), Making Good Time (1989) – as well as his billboards and photographic mosaics, which he continues to produce today.

Thanks, Mike!

“The Enigmatic Man Who Turned Art Photography on its Ear is Getting His Due”

Sunday, October 19, 2008


William Eggleston in Memphis, 2008
© Juergen Teller

If you haven’t already, take a moment to read this article about William Eggleston from the November 2008 issue of W Magazine.

Errata Editions: Books on Books

Monday, September 15, 2008

Jeffrey Ladd, author of 5B4, got in touch to inform me of a new publishing company he has started called Errata Editions. Working with publisher Valerie Sonnenthal and editorial director Ed Grazda, Jeffrey is giving creative direction to the project. Errata’s first releases, four books from a series called Books on Books, help get “the content of rare and out of print photobooks into the hands of new generations of photographers,” as Jeffrey wrote to me in the e-mail. Those titles are “currently ‘on press’ in China,” according to his blog post, which offers further explanation of the project:

The Books on Books series is an on-going publishing project dedicated to making rare and out-of-print photography books accessible once again to photobook enthusiasts. Each in this series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or prohibitively expensive for most of us to experience. These are not facsimiles but complete studies of those original masterpieces. Through a mix of classic and contemporary titles, this series will span the breadth of practice as it has appeared on the printed page and allows further study into the creation and meanings of these great works of art.

The current titles include:

Photographe de Paris by Eugene Atget
American Photographs by Walker Evans
Fait by Sophie Ristelhueber
In Flagrante by Chris Killip

This looks to be a very promising project. I’m curious to hear what readers think of the idea. But, in any event, I’m looking forward to seeing what else Jeffrey and the team do with Errata.

Find out more and view sample pages from the current titles on the website.