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The First Digital Camera and How Kodak Learned to Love It


Stephen Sasson with his digital camera prototype
© James Rajotte / New York Times

For her New York Times article, At Kodak, Some Old Things Are New Again, Claudia H. Deutsch spoke with Steven Sasson, an electrical engineer who invented the “first digital camera.” When Sasson created his prototype at Eastman Kodak in the ’70s, he told her, the idea was not as easy to pitch as you might think.

“My prototype was big as a toaster, but the technical people loved it,” Mr. Sasson said. “But it was filmless photography, so management’s reaction was, ‘that’s cute — but don’t tell anyone about it.’”

In her article, Deutsch discusses how Kodak has since learned to embrace digital technology and takes a look at what new technologies they releasing and researching for.

Read it online here.

We Think, Therefore We Are

Charles Leadbeater, a researcher at the London think tank Demos, is raising a lot of interesting questions about sharing ideas and the role of the internet. (Along with the above video, also see his TED talk on collaborative innovation and the “rise of the amateur professional” and, if you have the time, read the first three chapters of his book, We Think.)

Lately I’ve been considering how this all affects photographers and bloggers and would love to host some conversation on the topic here.

Share your thoughts (because you can?)!

Muxtape

Photographer and programmer Justin Ouellette (one of the forces behind the excellent video sharing site Vimeo) just announced his latest programming project: Muxtape, a simple and elegant way to share mixtapes online. Justin reports that over 1,000 members have joined in just 4.5 hours!

It looks like the photoblogosphere has taken a liking to it; find Noah Kalina’s here, Raul Gutierrez’s here or Joerg Colberg’s here.

And see my very own Muxtape here (though, I’m sure it’ll be different by the time you look at it).

Well done, Justin. Well done.

A Look at the Relatively Empty Regions of the Universe Outside the Atmospheres of Celestial Bodies


© DSS Consortium, SDSS, NASA/ESA

Google Sky is every astronomy nerd’s new best friend.

Imagine, If You Will, a Digital Land Camera (or Something Like That)

Linked on Things Magazine, Polaroid’s ZINK technology takes us one step closer to a modern day Land Camera, complete with a digital sensor and built-in printer. This is what it’s looking like.

Here’s a little science from the Polaroid website:

The patented ZINK Paper is an advanced composite material with embedded yellow, magenta and cyan dye crystals, activated with 200 million heat pulses, in 30 seconds, in a single pass. With 100 billion crystals in a 2×3″ print, the paper is 100% inkless. A ZINK-enabled printer uses heat to activate and colorize these crystals. Because there is no ink, every ZINK-enabled device has the unique benefits of being small, simple, elegant, and eco-friendly.

Watch a demo of the ZINK “on the go” printer on Engadget.

Does technology make anyone else sad?

Online Photographic Thinking


Box Props (from “Illuminations”)
© Tim Davis

Over on Words Without Pictures there’s an article by Jason Evans titled Online Photographic Thinking.

This essay addresses the context of the web for photography. It’s a new frontier that, from the standpoint of an independent practitioner, doesn’t seem to have fulfilled its potential, given photography’s phenomenal recent expansion as a contemporary art form as well as its over 150-year-old track record for multiple expansions. I want to ruminate on why that might be – on what conditions might have led to an underwhelming response by serious and independent photographers to the potential of the Internet.

I’m curious what people think of Evans’ assertion that the “potential of the Internet” has had “an underwhelming response by serious and independent photographers.” Has it?

Imagine if the Internet had emerged in the early twentieth century. The majority of those “-ists” would have had a field day – and imagine Warhol and the Internet. I guess it is simply a matter of time before a generation not weaned on paper and chemicals sees the manufactured bubble of “art photography” for what it is, and begins to explore the potential of an inclusive, affordable distribution network and its inherently interesting formal qualities.

And about his conclusion. Is Evans is foreshadowing an inevitable evolution in contemporary photographic production (for the Internet)?

Read the entire essay here. Also see my favorite of Evans’ own online projects, The Daily Nice and The New Scent.

I encourage readers to offer their thoughts on this thread.

Jonathan Harris: The Whale Hunt


screenshot of the image mosaic from The Whale Hunt
© Jonathan Harris / thewhalehunt.org

With his project The Whale Hunt, Jonathan Harris seems to have redefined the role that images can play in telling stories but, furthermore, what a complex web interface can do for the presentation of these images. Harris writes about the project,

I documented the entire experience with a plodding sequence of 3,214 photographs, beginning with the taxi ride to Newark airport, and ending with the butchering of the second whale, seven days later. The photographs were taken at five-minute intervals, even while sleeping (using a chronometer), establishing a constant “photographic heartbeat”. In moments of high adrenaline, this photographic heartbeat would quicken (to a maximum rate of 37 pictures in five minutes while the first whale was being cut up), mimicking the changing pace of my own heartbeat.

You really have to see the website to visualize this “photographic heartbeat.”

(thanks Justin)

Earth-rise, Earth-set


Earth-rise, November 3, 2007
© JAXA/NHK


Earth-set, November 3, 2007
© JAXA/NHK

The Japanese Aerospace Exploration Agency (JAXA) announces 3D HD images of the Earth both “rising” and “setting” as seen from the moon explorer Kaguya.

(via TEDBlog)

iConcert Cal


screenshot of my iConcert Cal, October 2, 2007

One of the most beautiful things about blogging is that naturally, I end up reading a lot of other blogs. The wealth of knowledge that is delivered free of cost right to my RSS-doorstep never ceases to amaze me. I’ve discovered a few really nice blogs lately, one of which is called Horses Think.

And thanks to Horses Think, I’ve found this great iTunes plug-in – iConcert Cal. iConcert Cal “monitors your music library and generates a personalized calendar of upcoming concerts in your city.” Just switch over to the Visualizer in iTunes and you can take a look at your personalized calendar. The plug-in can also show you CD release dates.

Brilliant (assuming you listen to good music)! I wonder, is this available as a direct plug-in for iCal? That would be nice.

Here are some upcoming concerts that it recommends for me in the Boston area, a few of which I had already planned to attend (good sign):

October 3 – Arthur & Yu @ Middle East Upstairs
October 4 – Patrick Wolf @ Paradise Rock Club
October 6 – The Blow @ Museum of Fine Arts
October 7 – Sunset Rubdown @ Middle East Downstairs
October 8 – Black Mountain @ Great Scott
Ocotber 11 – Mono @ Middle East Downstairs
October 13 – Explosions in the Sky @ Orpheum Theatre

Download iConcert Cal here.

Game Boy Camera Color Photography Project, digichromatography, and TIME TRAVEL?

I ran across this great post on Ironic Sans that explains the process of making color photographs with the Game Boy Camera (old school, circa 1998):

All colors of the visible spectrum can be broken down into combinations of just three colors: Red, Green, and Blue. In fact, if you look at your computer screen under a magnifying glass, you will see that it is made up of tiny red, green, and blue lights that are varied in combinations to create all the colors you see on your screen.

Every color picture can be broken down into three separate black-and-white pictures which represent the amounts of red, green, and blue that are used to make up that picture, as in this example:

The theory is that,

If a color picture can be made from three black and white pictures, I could use the Game Boy Camera to take three separate black and white pictures (using filters to capture the red, green, and blue values of a scene) and then use the computer to combine them into a single RGB image.

After working out some of the problems encountered along the way, a color image was finally created using the three black and white images taken with the Gameboy Camera (more examples here):

As someone points out in the comments on the post, this process is very reminiscent of the digichromatography process used to make color images from Prokudin-Gorskii’s black and white negatives of early 20th Century Russia.


The Bukhara Emir, 1863-1944 (made using the “digichromatography” process)
© Prokudin-Gorskii / Sergei Mikhailovich

This all makes me think of just how fast digital photography (and indeed technology in general) has evolved since 2001 when this article was first written. At the rate it’s all moving, where will we be in another 6 years? 100 years? 1000?

Which reminds me, do we even exist?